This ought to be Week 12, but I’ve been ill and busy. Anyway, the visual is a pair of shoes I redecorated and the writing is just some unedited/unproof-read musings on childhood autumns. I’ve only got about 640 words, so I’ll have some more musings of some sort up tomorrow.
Everything on this post is copyright me (Kathryn Walton), please don’t steal it to make money or claim it as your own. Thanks.
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Week 11 Written:
I was thinking the other day about the nostalgia of autumn, about what I associate with the dying season.
One of the first images to come to mind is a massive pile of leaves. Strangely, it’s not the generalized pile that’s an icon of American fall-time. It’s not shadowed by a father figure with a rake getting ready to compress it into a bag made to look like kitschy yard décor. No, my pile of leaves sits on a strip of green urban landscaping between my old neighborhood and some government buildings nearby. The trees seemed to belong to no one and the whole space was dubbed Maple Park. I’m not sure if that was actually its name or if my sister and I just used our talent for literal names to title that play-space. Either way, it was a remote extension of our minimal backyard and always provided sufficient leaf-fall to build autumn’s necessary jumping pile. Because that’s what a pile of leaves was for. It wasn’t the end result of cleaning a space. It wasn’t to prevent the grass from becoming thick with decomposing brown mush. And it certainly wasn’t to provide stuffing for creepy plastic yard figures. Leaf piles were for jumping. First, you had to make sure that the pile was big and deep enough to create a landing pad for your whole body. Then, somewhere in the back of your brain, feelings and memories ticked over and created the anticipation of the ‘crunch’ and ‘rustle’ and airy ‘whump’ of wallowing in skeletal plant-matter. Then… plenty of room to run? Yep. And you were flying through the air before you were surrounded by something like earth-toned wrapping paper. The loud sounds and the musty smell made the world abstract for a moment. It didn’t matter that the landing was never as cushioned as you bargained for. What mattered was the sense of tradition, the simplicity of the game, and the tactile joy of being literally all mixed up in the key ingredient of autumn: parchment paper, sunset colored, earth scented leaves.
Another set of sensations that remind me of the months following summer is the smell and feel of new clothes. Specifically, the smell and feel of new school clothes. Fall was always the time to reinvent yourself or reconfirm the image you left everyone with last year. Even though the natural world started over in spring, the social world started over in autumn. School started over in autumn. And a new school year always meant new notebooks, pencils, maybe a new lunchbox, and definitely new clothes. What’s interesting about this treasured memory of acquisition is that I was a child who loved my clothes to death. I would attach myself to pieces of clothing fiercely and wear them over and over until they simply were too wore out to be of any use. Despite this, I was never a big clotheshorse or teeny-shopper. And, despite that, I loved new clothes. I was a clothing paradox of sorts. How do I explain this? Well, when I say that I wasn’t really a clotheshorse, I mean that I didn’t care what everyone else was wearing. For instance, one shirt I clearly remember wearing to softness was an oversized purple tied-dyed t-shirt bought at a neighbor’s garage sale. When I say that I loved new clothes, I do mean store-bought new clothes. But, again, I loved them for what they said to me, not because they were considered ‘in’. No, the concern with what others thought came later. I simply adored new clothes because they smelled and felt new. Why I liked the impersonal smell and sheened feel I couldn’t tell you. I just did. I hugely enjoyed clothes that smelled of home and felt soft with repeated washes too. Maybe I just liked sensory input. Who knows?
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Week 11 Visual:
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